A few months ago, Katherine Broderick made her most acclaimed debut as Isolde in a new production of Tristan und Isolde at the Stadttheater Klagenfurt, staged by Intendant Aron Stiehl under the baton of Music Director Chin-Chao Lin. Here some press reviews:

„The British soprano Katherine Broderick, who is also delightful as an actress, outshines everyone as Isolde with her powerful forte and finely differentiated soft tones.“ (Salzburger Nachrichten, Karin Waldner-Petitschnig, 19.09.25)

„Katherine Broderick delivers a compelling performance as Isolde, her clear, well-focused soprano impressive in both the quiet passages and the dramatic high notes. Her phrasing is thoughtful, and her dynamics - from muted pianissimos to powerful fortissimos - are balanced and beautifully resonant. Particularly in the third act, she develops a palpable heightened intensity: her voice remains controlled, never losing its composure, while simultaneously imbuing the character with a profound, human tragedy. This blend of vocal clarity, emotional depth, and dramatic artistry makes her interpretation a significant element of the evening's performance.“ (IOCO - Kultur im Netz, Marcus Haimerl, 09.11.25)

„The Irishwoman Isolde is portrayed by the Englishwoman Katherine Broderick with economical gestures, but seething with emotional depth and radiant in the high notes.“ (Der Standard, Michael Cerha, 19.09.25)

„Katherine Broderick made her role debut as Isolde and impressed with her masterful vocal control, dramatic intensity, and secure high notes.“ (Klassik-begeistert, Dr. Rudi Frühwirth, 23.09.25)

„British soprano Katherine Broderick is known for her performance in Götterdämmerung. Her impressive portrayal of Isolde is characterized by nuanced pianissimos and, as usual, a powerful, room-filling forte.“ (Online Merker, Rudolf Smolej, 22.09.25)

„Katherine Broderick sings the Irish maiden with radiant high notes and many nuances; her "Liebestod" in particular is incredibly emotionally powerful.“ (Opera Online, Dr. Helmut Christian Mayer, 21.09.25)

Katherine Broderick will soon return to the role of Isolde in a concert performance with Scottish Opera, with shows on March 7, 2026 at the Theatre Royal Glasgow and on March 11 at Usher Hall in Edinburgh. For more information, please click here.

At this point, I would like to commend the work done by my colleague Maxine Robertson, who was Katherine Broderick's dedicated manager for many years until her well-deserved retirement at the end of 2025.

Dear Maxine, thank you so much for putting me in touch with Katherine. All my best wishes for happiness in this new chapter of your life. 

Dear Katherine, thank you for choosing me to take over from Maxine. I am delighted and will do everything in my power to justify your trust.

24.02.26

We are delighted to announce our new collaboration with Arnaud Arbet, an accomplished musician, remarkable pianist, composer, musicologist, and first-class conductor, a tireless explorer of music with a particular affinity for 20th and 21st-century operatic and symphonic repertoires.

His work as musical assistant to György Kurtág, whom he accompanied for five years during the final stages of his opera, Fin de partie, culminating in its premiere at La Scala in Milan in 2018, was a profoundly significant milestone in his career.

Arnaud Arbet has been chosen to conduct the Romanian premiere (in Kurtág's native country) of Fin de partie in 2025, as part of the George Enescu International Festival in Bucharest. It's a huge success.

But Arnaud Arbet's repertoire extends far beyond Fin de partie! He may not have conducted them all yet, but he has studied and knows in depth no fewer than 87 works, from Claudio Monteverdi's L'Orfeo to Olivier Messiaen's Saint-François d'Assise, including Le Nozze di Figaro, Les Contes d’Hoffmann, Salomé, Pelléas et Mélisande and Wozzeck, to name just a few. His symphonic repertoire is no less impressive!

Add to that his kindness, humility, tact and deep respect for each of his interlocutors, and all the ingredients are there to make Arnaud Arbet an ideal working partner.

Welcome, Maestro, and long live our partnership!

14.01.26